AccueilVilleCélébration culturelle au musée de Sanxingdui pendant le Nouvel An

Célébration culturelle au musée de Sanxingdui pendant le Nouvel An

Publié le févr. 24, 2026

Faits saillants

A critique reflecting on the rich cultural offerings of the Sanxingdui Museum during the Spring Festival and its impact on heritage tourism.

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The recent surge of nearly 200,000 visitors to the Sanxingdui Museum during the Spring Festival highlights not just the cultural significance of this ancient site, but also the evolving interest in the rich heritage of the Shu civilization. This festival themed "Celebrating the New Year at Sanxingdui, Praying for New Blessings in the Ancient Land of Shu" beautifully intertwined thousands of years of history with traditional New Year customs, creating a vibrant cultural feast that engaged the senses and fostered a deeper connection with the past.

As visitors entered the museum, they were beckoned by festive red lanterns illuminating precious bronze artifacts steeped in mystery. The playful sounds of drums intertwined with the laughter of families creating a joyful echo of celebration. Notably, the striking bronze statue of the standing figure, the golden mask, and the sacred bronze tree drew attention as visitors gazed up in wonderment or snapped selfies with these ancient relics. This interactive engagement not only served as an admirable connection between the present and the wisdom of our ancestors but also reflects a larger trend in tourism where experiential learning and cultural immersion are increasingly sought after.

The museum's commitment to enhancing visitor experience through meticulously arranged cultural activities exemplifies a commendable strategy in the realms of heritage tourism. Events like the "Great New Year Ceremony" showcased the grandeur of ancient Shu rituals, merging performance art with history in a heartfelt invocation of blessings for the New Year. Participants, dressed in traditional ceremonial costumes, transported visitors back in time, enriching the storytelling of Shu civilization. As visitors joined the vibrant theatrical ensemble, the allure of ancient traditions was reinvigorated, supporting the idea that culture can be both a spectacle and a participatory experience. Furthermore, with initiatives like extending opening hours and implementing effective crowd management, the museum demonstrated adaptability in catering to such a massive influx, ultimately providing a safe space for exploration.

Sanxingdui Museum's resurgence as a cultural hub poses thoughtful questions about the role of heritage sites in modern tourism. As the world grows more interconnected, how do we balance the preservation of ancient civilizations with the need to engage and educate new generations? The Sanxingdui's unique blend of old-world treasures and contemporary engagement strategies might just be the ideal model for achieving this delicate equilibrium.

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